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46 - PAM - Press and Media
PAM 322 - Sound Production Using Professional Digital Audio Workstations-2
| Code | Start Date | Duration | Venue | |
|---|---|---|---|---|
| PAM 322 | 02 October 2023 | 5 Days | Istanbul | Registration Form Link |
| PAM 322 | 27 November 2023 | 5 Days | Istanbul | Registration Form Link |
| PAM 322 | 18 December 2023 | 5 Days | Istanbul | Registration Form Link |
Please contact us for fees
Course Description
Processing sound is key for a successful music production release or broadcast. The quality of the sound can be increased by every correct decision in the digital signal chain. This course teaches advanced concepts and skills in musical post-production using the state-of-art digital audio workstation (DAW) software. Later stages of music production such as advanced editing and advanced mixing are the main focal points here. The course includes training in Pro Tools systems, but the skills and principles are applicable in a range of applications and further DAW software.
Course Objectives
- Familiarizing with the workflow with digital audio workstations
- Explaining post production chain for professional audio products (editing, mixing)
- Describing the editing requirements of a professional release and broadcast (mastering)
- Explaining the signal flow in a professional mix session
- Understanding the principles of sonic aesthetics
Who Should Attend?
- Audio technicians for post-production
- Broadcast department personnel
- Music producers
- Mixing engineers
- Mastering engineers
Course Details/Schedule
Day 1
- Editing
- Sound design 1: Looping
- Sound design 2: Low frequency effect design
- Sound design 3: Immersive sound texture by track copy
- Speech editing 1: Breathe and de-esser control
- Speech editing 2: Speech optimization
Day 2
- Digital Signal Processing
- Equalization for depth control
- Time related signal processing : Reverb, delay
- Time control related signal processing: Quantizing notes
- Harmony related signals processing: Autotune, Melodyne
- Dynamic processing: Compression, Peak Limiters, Gates
Day 3
- Mixing
- Depth structuring
- Time based effects (delay)
- Panning
- Spatial effects
- Introduction to mix aesthetics
Day 4
- Mastering
- Compression and filters
- WLM Meter and setting the delivery standards
- Loudness standards
- Musical aesthetics in mastering
- Timing in mastering
Day 5
- Metadata Management
- Understanding master delivery requirements
- Common problems of data management
- Tagging a track in a digital music platform
- Delivering various formats and labelling
- Perceptual encoding and audio quality matching for digital music platforms
